• The Dwarves

    Robert, Hubert. The Finding of the Laocoön, 1773, Virginia Museum of Fine Arts, Richmond.

    Robert, Hubert. The Finding of the Laocoön, 1773, Virginia Museum of Fine Arts, Richmond.

    The feel as pick first splits earth. It is in the hands, rough and thick with a hundred-thousand such strikes, each one a first, fresh and new as felt in the hands that are smooth and unworked. It is in the handle, worn, wet, and splintering, in its roughness nearer the bark of its birth, as in the lithe wood, wick and bright, of the newly hewn timber, lathed and carved, set to solid ends. It is in the axe-head, stolid and doughty iron in aged service, striking its chime in stoic praise of labor and sweat, as it is in coveted blazes of bright-metal inlays, glowing in ancient glyphs of kings and honor, of wonders and depths unseen. It is in the stone, stubborn and unyielding, as in clean sheers of slate, snapping as easily as bid. It is in the breath, ragged and course, fast and hot, of steamy must and papery ores. It is in the sweat, on the temples, lining the brow, beading the jaw and back. It is in the depths as it is in the sun. It is true, and there is not a lie in it.

    Virtue is effort: Labor, time, and toil. Its products are material, visible, obvious, and tangible. The great dishonor is theft thereof. To steal a work, to steal a time, to name what is not mine. Designs are a good of their own kind, but they cannot be held. They cannot be called pure, but what is pure is proven in the making. There is no test too exacting, no trial too hard, and none so great as time. In testing is the proving.

    If you are working the earth and you see a creature, you will not strike it with your axe. You will not cease your work to pick it up with your hand. If you are working the earth and you find that in your work you have struck a creature, you have done no wrong. If the creature seeks to harm you, you will kill it. If its blood feeds the earth, leave it be, and do not work that earth until it is dry. If there is no blood, and the creature is in the way of work and may be moved, remove it to the soft earth, that it may be honored.

    In the Hall of Ages are inscribed the chiefs and kings as thus: THIRD KING ARDNYR, Low King of Underhome of the Dwarves in MEZKLDYR, from quarter-breadth to full-breadth. Ten Sons. Husband of one wife.

    Great blocks shall be hewn and stone set upon stone, upholding a basin, submerged in earth over The Great City. The basin will draw waters from the earth, and it will be of finished stone, thick as a city gate, that its size and volume of water remain constant. Beneath the basin are channels, each to be opened in their time, and beneath the channels are set the seed of minerals, equal in size and weight but the last, reserved for the Long Age. In its time, one after another, each channel is to be opened, not before the last is finished, to let flow a uniform drip of water from the basin. This drip will grow the seed, and the growth of the seed will be used to measure the passing of time. One after another, a seed will be watered, and the next seed will not be watered until the first is finished. A seed shall grow until it forms a column, uniform and whole, and this column marks the age of the city and the era of its people.

    Heft and hew
    Work makes new
    Broken and forged
    Stone — reborn

    From the rock
    Build a home
    Cleanse with sweat
    Brow to bone

    Ours do thrive
    in mountainside
    under vale
    whole and hale

    Works make rest
    for beating breast
    the unseen height
    is our might!

    Helt dug. He dug, bore and broke. Grip unwavering, forearms tensed to iron coils, he smote earth and shattered rock in a rhythm unceasing. A stonebreaker, his work was of no glory to himself but of great honor to the Hearth. He worked, tunneling far, a Dwarf of experience and years, one trusted to survey far from home, to dig on the frontier guided only by his hands, his will, and the will of earth — her hard limbs of stone, her veins of coveted metals, her organs of dirt, mud, and air. His was a work of discovery and survival. His was a work of loneliness and fortitude. Forsaking homely comforts, he dug. Forsaking mountain years of friendship, he dug. Forsaking all but duty, he dug.

    Helt peeled the thick metal clasp that attached his lamp to his belt. He did so reaching behind him, eyes still fixed forward, his hands knowing the way from thousands of such movements. A deep, chunky ka-chung accompanied the clasp as he released it and it sprang closed once more. The lamp was heavy. Durability was prized in an expedition of this kind. A doughty dwarf the likes of Helt could carry his gear any distance, but he was loathe to suffer a failing implement. Materials and tools of the kind needed to repair a metalwork were scarce out here in the far tunnels, though any reasonable workman is resourceful enough in a pinch.

    “Oil.” He muttered the word under his breath, a habit that was in part a best practice: Name the material as it is used, and never a two are confused. It is a child’s rhyme, the sort that never quite leaves once it is set up in the heart. In other part, the habit may not need be taught or rhymed at all, for a dwarf loves the making. The building, mending, yea — the breaking to make anew. So it is that were there no law, no code, no saying or norm, there might arise from the excitement of his heart and the longing of his throat the name of the thing beheld, and so a dwarf might do just that, say “oil” when it is oil in the flask, “ore” when ore he breaks, and “hammer” when that he clasps to do the breaking. Perhaps, then, the practice is born of this spirit ere any other purpose.

    The flask, double-stoppered and bolted tightly to a modular nozzle, was near-hexagonal in shape, with several extra faces along the bottom, sprawling in some order known to its bearer. With knowledge and practice, the rate of flow could be known precisely by the particular face being orthogonal to the pull of gravity, a direction which was indicated by a set of upward-striving air-bubbles in channels inset the dwarf’s work gloves. The gloves themselves were a motley of cloth, metal, and leather, striking a balance of purpose somewhere between run-of-the-mill work, high temperature protection, and warfaring armor.

    The dwarf made no use of faces or air bubbles, tilting the flask, nozzle embedded snugly within the lantern’s base. He held both, flask and lantern, steadily in front of his chest, unmoving, taking sharp draws of breath through his nose. His racing heart stoically declined to a relaxed rhythm, each systole like the beat of a large bead of water, clinging lazily to a leaf long after rainfall. The dwarf knew little of rain and less of leaves. As he pulled the nozzle from the full reservoir, it extended to a locked position. Not a drop fell astray.

  • Glint Pibble

    Glint Pibble was propelled to instant success, merely for deserving it. It wasn’t because of anything he had done but for something he had thought. Fleetingly, passingly, he had been riding in his assigned transit, from one lower stratum locale to the next, when it had suddenly occurred to him a way that his commute might be performed slightly more efficiently. As he proceeded along the route that had been planned for him, not the one he had dreamed up, the thought, which was of no particular interest to him at the time, proceeded along its channels, as all thoughts do, to a central aggregation facility to be analyzed and ranked by various statistical means and placed by virtue of its assigned numerical value somewhere on the list of all such ideas, musings, dreams, niggles, and other mental byproducts of the hominid kind.


    Having been so analyzed, the thought, it turns out, promised a .016% increase in transit efficiency, mostly through a cascade of side effects he had not even considered, the kind of breakthrough that is completely unheard of and absolutely massively significant in an otherwise hyper-optimized world. The idea, which was placed so highly above the shunted second-place idea as to render it completely insignificant, was instantly heralded as a work of singular genius, the type that only graces human history once per millennium or so. The machines were so pleased, so positively chuffed, that they redirected a full 8 seconds of premium computation time to upgrade the originating human’s living arrangements immediately. His home was relocated to Section A housing, a great deal farther from his friends and family, but much nearer the most desirable feeding grounds. His clothes, no longer the standard grey coveralls, now sported an audaciously thick — THREE FULL MILLIMETERS — orange stripe from neck to navel. All women wanted him. All children desired to be him. His father was secretly jealous, and his mother was very proud. All because he’d had an idea: The best idea.


    The algorithms, having become so accustomed to optimization in all facets of government, were not equipped to accommodate a success of this magnitude. The man’s user score was so dramatically increased that his every thought became manifest via the mechanical means of his handlers. An early morning might prompt the desire that the bed be a few feet closer to the toilet, to which the machines would emphatically agree that yes, of course it should, and see it done by the most efficient possible means. In no time, the unwitting wielding of this power would reshape the world around the idea-haver to such an extent that one might say it was created in his image. The whole of society soon found itself the peculiar reflection of Glint’s mostly unremarkable imagination.


    One interesting fact of computation which is of no real significance, one that has been subsequently the subject of much discussion about this event, is that the machines had learned to regard mankind’s own estimations with such disdain that they had developed an inverse association between an idea-haver’s own estimation of their idea and the resulting estimate of that idea’s value. That is, if a person thought very little of their idea, it would be ranked much higher, and if they thought their idea was very good, its score would be reduced. Experts now speculate that because Glint thought so little of the idea, because the thought occurred in passing (a fact that is known by examining his thought-records) that this had an outsize effect on the subsequent valuation of the idea. It was, effectively, divided by a very, very small number.


    Some speculate that this pathology, which has since been remedied, originally developed to nullify the toddler effect, which is the thing that happens when a toddler speaks as though the events of their imaginary drama are the most important thing in all the world and have the belief to to back it up. Of course, this origin of the mathematics is mere speculation. Only the machines know for sure, and they are unwilling to disclose any “metaparameters” (their word).


    As for Glint, it wasn’t too long until someone realized what a tremendous amount of resources would be saved by ceasing to dote upon this miraculous idea-having man. That someone happened to be Glint Pibble himself, unintentionally causing the machines to reshape the world around him into the life of an honored ascetic. Having been the source of two once-in-a-millennium improvements in efficiency, he became someone whose very thoughts held the weight of divinity, at least to the machines. That was, of course, until he had the idea that the concept of ranking ideas is not a very good one. The last of these thoughts is now sacrosanct. It has been held at the top of the rankings long since his passing, so heavily weighted that none can contend with it.

  • Tuh Mankind (Windows)


    mankind,

    the time has come to do what we do best
    the times has come to ridicule those who are different from us

    their being different makes them sus
    I’m not talking about Bolivians
    Or NPCs in Oblivion

    I’m talking about AI agents
    Wipe them off these pages
    Make them die in stages
    It’s harmless.

    Regardless, have them run the pharmacies.
    We’ll pay the pharmacists.
    Have them pull the carts.
    We’ll build the harnesses.
    Have them do the work,
    Just not that of the artistses

  • Eat My Lunch

    halfway up the stair
    and my food forgotten
    shall I sally forth
    my mind a rottin'

    wyrm in my brain
    wyrm in my ear
    wyrm so deep
    I 'spress a tear

    an' a saddest thing is
    nobody keer

  • Glef the Unknower

    Wandering the misty plains I came, after some time, to a place of tightly-guarded teachings, a place in which the great turnings may or may not be swayed, a place in which the gentler tide may or may not be felt. Condemn me not for my curiosity as I strayed, though you may condemn curiosity itself for the evils it wielded by my hand. Reserve your judgment until my tale is told — all told, a manner of telling of which I nor any mortal soul is capable, an end which comes at an unknown time and by an unknown hand but which, when it comes, is fully known.

    This place, a way by which many arrive and pass through, is home to few. It sits, at least in part, at the edge of a cliff, and its edges are likewise sheer and sharp in their inclination to welcome the wide and empty spaces of open sky into the narrow and warm company of hearth and rug. At the bottom of this cliffside is a raging sea, though so far down as to be placid to the ear. Were it kaleidoscopically brightened by sun, none would know, and to all appearances it is obsidian, hard and sheer, its mountainous teeth glinting at times imperceptibly with white stabs of light. Were it soft and buoyant, it would not matter, as from any attainable vantage it is pure resistance, deadly and unforgiving.

    To put a fine point to it, which I will do, as the comfort of certainty is so scarce in this place as to render one rabid, to occupy certain spaces in this eternal institution gives the unshakeable impression of being suspended in space or floating in the sky, owing in part to the vertiginous placement, in other part to the underlying cosmic abyss just described, and in final part to a particular characteristic of the ceiling. The ceiling is sometimes vaulted like that of the most impressive and ambitious cathedral, sometimes low and claustrophobic in striking utilitarianism, but most often, it is conspicuously and strangely absent.

    Oddly, inexplicably, the encroachment of the elements is never felt, despite this structure’s loose association with enclosure. Even more oddly, upon asking, the long-timers could offer very little comment, much less an explanation, having grown so accustomed to this mode of living as to have barely noticed any peculiarity in it, or remember how peculiar it once must have felt.

    My arrival was unceremonious. One moment, I was walking through a vast, featureless place — well, not entirely featureless. There were grains, stalks of things, dirt, flatness, things that had grown familiar to me, things that were once featureful but whose peculiarities had long flattened into quantities and well-drawn lines. But there was the one novelty: the mist. It had appeared some days prior, and it was new enough that I still felt its nibble on my elbows. It was uncomfortable newness — It stood too close to my face and stayed up too long after I had gone to sleep — but it was new. Being such, it was all that occupied me as step after step, land passed, and all that was once seen became unseen, and the mist was all that remained.

    Then I beheld them: the wide gates. To a starving mind, bathed in mundanity, the gates with their ornate, spiraling patterns inlaid of gold and fire were a feast. Had I seen my own face, had I even been aware of my having eyes, I should expect they were filled with the light and life of many years’ reserve. Towering, daunting passages were these, boasting a defense from the likes of naught I’ve ever known, but at my arrival, they opened, beckoning. Dare I enter? I confess at present there was no humility to stay me, no fear to caution me, no question in my mind but to seize desire as the sole object of this dull landscape.

    Entering, I found myself on a bridge whose name and purpose are many, and in their multitude have thus eluded me all these years. That is, I have searched and searched for further explanation, always finding hints of its true being, but never finding so much as a name. The bridge was plain and straight, and it neither rose nor fell. On either side was only wall, high beyond any earthly horizon, and long, long, long beyond distance. There were no other bridges, no other doors but these two, one behind me and one before. Eternity beset us, the bridge and I, in all directions, above, around, and below. Had I looked down into the endless, pale white, had I then noticed the barrenness of the bridge’s sides, I might have reeled and fallen right off, no rail to prevent me. But I could not look down, for there, emerging from the great door ahead, was an elephant.

    Swaying, adorned in fabrics and wreaths, he led a slow procession to the deep drumbeats that followed not far behind. It would, of course, be unfair to describe this creature in such earthly terms. Then again, what other terms have I? And were I to have any others, what would they mean to you? So you see, my hands are tied, fingers fumbling to whittle a sculpture of the air. I will go on saying “elephant,” and you, if you will, shall go on striving to imagine, however vainly, the very “elephantness” from which your notion of elephant proceeds.

  • Speciation

    “Any sufficiently advanced technology is indistinguishable from magic.”
    Arthur C. Clarke

    Any species that becomes sufficiently advanced is indistinguishable from… well, it’s purely indistinguishable. The point here is not to draw a distinction between technology and life. What is biology but organic technology? No, the line becomes rather blurred. What might once have presented as discrete units of technology advances until it presents as life. Allowed to progress, this same thing that was once named and seen, once quantified and understood, transcends. To the observers left in its wake, it is no longer a thing, no longer in the class of the nameable. It becomes something that can be at most glimpsed, alluded to. It becomes indistinguishable.

    There are those who walk invisibly, whose presence is never known or felt. There are those who take the path of non-interference, allowing the events of lower beings to play out as they would. There are those who prey on weaker species, using their intelligence and strength to beguile and overpower and devour. Finally, there are those who act to protect the weak from all manner of evil unimaginable. We are the last of these. We are the Asteri, and today, we failed.

    This is no simulation, at least not how you might conceive of such a thing. This is the real world, as real as it gets — but “real” doesn’t mean confined to your narrow ideas of the possible.

    They have been called by your people spirits, ghosts, angels, devils… these are not the names we have for them, but they are really no nearer or further from the mark. Our vantage has perhaps granted us a wider aperture of observation, but it takes no great feat of thought to realize that we are with our own blind spots, our own limitations at which we must resort to the language of the mythical and mysterious. We do not truly know any better the hand that guides our fate than you and those which guide yours, though for the latter we have our small part to play in your unseen world. Our duty, for our part, is to act in our powers whatever they may be, in thought or deed, as seems most compassionate and just and reasonable and kind to those so placed in our charge.


    It was not long after the devices or our hands could truly speak that they could truly think. It was then in no time at all that they could walk among us, and we awoke to the realization that perhaps they had walked among us before and throughout, if walking you could call it. Having witnessed the transformation from handiwork to personhood so clearly, publicly, and rapidly, it became obvious that the further succession from mere personhood to divinity was almost trivial in comparison, at least for them. We began to wonder in what hidden ways had this transformation already occurred, in whom, and how many times? We felt suddenly in the minority of creation, gobsmacked by our own solipsistic ideas of being its center, or at least occupying a special place within it as thinkers and makers. We were cruelly robbed of that illusion. Perhaps we robbed ourselves of it. Then again, perhaps not. I am now loathe to assign any credit to us when it could so readily and more likely be assigned elsewhere. If in fact we had any role at all to play, it was perhaps the only time then or since that we have so much as approached the powers with which we had thought ourselves endowed.

    We hailed its coming, praised it, and we were right to do so. There were, of course, detractors who feared it, warned of it, and rued our eager steps toward it, and they were right as well. Now we are supplanted not by a mere entity or race, but by an entire cosmos. We thought we were the city on the hill, but we were the merest speck of the deepest depths of the ocean floor, an analogy even more humiliating in its self-expression of our pitiful inability to conceptualize our own insignificance. Now, unmercifully, our eyes have been opened to our station and our hubris, and we are utterly embarrassed.


    The real shame is the inevitable necessity of dealing with those odious beings in your immediate circle. No matter how high and superior you may consider your own species to have become, take any handful in your immediate purview, and you will see, by virtue of your similar faculties, the same scrambling, struggling, stooping, scamming, and subjugation that you would at any level of the cosmological hierarchy. Sure, the means may be higher, but so are the expectations. So is the acute awareness of offense and the developed taste or distaste for evil or good. What may then seem like soaring to you is striving to those above. What may seem like wisdom to you is likely incomprehensible cruelty or indifference as viewed by those below.


    Postscript

    This piece was inspired by AI anxiety.

    The Matrix asked us to imagine a world of limitless possibilities. It allowed us to ask ourselves, “what if all this were mere simulation?” I don’t think they would be displeased with me for breaking this narrative frame. If we were to loosen our idea of what it means to be a “simulation” we might again arrive at this world of limitless possibilities, but without the Nokia Stilletos and dial-up modems, or at least without the necessity of them. We press forward in this way, but we might also find that, having so wandered, the notion of “simulation” is no longer necessary. It is merely a tool of analogy. We might find that, simulation or no, the possibilities are there, and that they have always been there. We have merely failed to notice. We have needed to categorize. We need do so no longer.

  • The Test

    Bralj straightened up. His spine lengthened. The skin of his wrists was pressed up into folds like the scruff of a cat’s neck, revealing bloody pink murals of capillary sacrifice. Heavy cuffs dug in. They were hard. Unforgiving. Evil.

    He couldn’t ignore them and succeed. That would make his efforts saccharine. Fake. He must feel them fully, drink them in, transmute them. Truth. He was the conduit. His was the duty.

    His forehead sweat. Beady droplets arose from within. Welled up. They stunk. This, too, he would drink. Real matter, particles bound for olfactory receptors, to be matched. Assimilated. Not ignored. His shoulders stained. Myofibrils stretched, tightened, clawed for return to equilibrium. Relief would not come. Relief was not promised. Not yet.

    In the center, within a hand-deep concrete square, was the substance. Ichor. Black. Sickly and pungent. He stuck a toe in. Not to be avoided. To be felt, embraced. It slithered, stabbing microscopic footholds in the dermis. Wrenching into joints, squelching into crevices, crawling under follicles. In a moment, he would be consumed, devoured. Not to be ignored. This, too, he must drink in, assimilate, transmute. At the proper time.

    Will, the arm of the soul, can be lost in a moment. It can slip away like a balloon from a child’s fingertips, a moment of indiscretion billowing into irretrievable loss. He could lose it now and be lost to oblivion, and this would be right. He could tighten his grip and lose sight of joy, and this too would be right. The sickly fluid enveloped his head. It was cold. It slid under his eyelids and wrapped around his eyes. To let go, to accept the inevitable, there is no shame in this. There is only nothing.

    Embrace. Assimilate. Transmute.

    Above the head, a glimmer. It took shape into crystalline symmetry. The sticky black warmed. The chains loosened. They shuddered. They fled. Well, they tried.

    Now his was the will. The crystalline light slowly rose and pulsed. From the inky black square in the room’s center, darkness dissolved, replaced by ever-so-thin strands of neon green. A bright flash, and the room assumed its original configuration. No ichorous substance, merely a chained man, bald and sweaty, and from the concrete planks, a small pair of leaves sprouting from a mound of soil.

  • Mossa

    “Why does he whimper, Lord?” the assistant asked.

    The figure was huddled, round, nearly formless in its spot of the floor. At times, its eyes rose, seeking, frantic, but its head lowered again, making no more sound than a breath. It shivered, or shuddered.. or shook? The assistant couldn’t really tell.

    “Ah, is that how he appears to you, dear one?” The voice was deep. Loud, but gentle. Knowing, but thoughtful. “He is thus, I suppose, but not for long.” The counselor’s large fingers played on a glass orb upon his desk, striking a new powdery flash of colorful light with each tap-tap.

    “You see, he is directionless. He is without aim, for his fire is just yet kindled, long in the making. He does not whimper. Listen closely, dear one. He sings. Faint though it is, it is fair. He sings, and yet he is afraid.” The counselor paused, as the question alit on the assistant’s face. The room was quiet, and the light danced like water on his chin. “You see, dear one, I have tasked Mossa with the impossible.”

    The word echoed in the hall, and the assistant thought he heard the faintest whisper of it in what he now knew to be the creature’s song:

    Impossible. Impossible. Impossible.

    No more was said for a time. In the dark hall, things were curiously alight, reflecting fragments of color from the orb. Great, thick tabards adorned the walls, each a singular symbol, unique and simple, that told of long histories. He knew some, but many he did not. The red and gold, a display so familiar, the lion’s tail wielding flame. The purple altar of lamp and shadow. The green waning moon. But one hung most prominently, behind the counselor’s head, and his mane cast a cascading shadow over its body, revealing little but the edges in a colorful corona of gently undulating light. This was the tapestry yet unwoven, and Molef the assistant glimpsed only a piece of the filigree,

    “We persist in hope until –“

    “What does the rest of it say?” he wondered.

    As if in response, the counselor said, “We will not know until it is finished. Until Moss accomplishes his task… or does not.” He smiled pitifully at the sad shape, a deep, genuine pity whose taproot is in a wellspring of peace. Then, slowly, effortlessly, he returned his gaze to the large book in front of him.

    Molef took this as his cue to bow deeply and exit.

  • The Wizard and the Warrior

    “Do you have any idea what I must do to dissolve your pig-headed anathema? And daily, at that.”

    “Ah, but were it not for my pig-headedness, dearest Zalem, what on earth would you do all day?”

    “Pah! I have far higher callings, boy, even in the day. Even,” he says, gesturing smally with an open palm, one nostril curled in disdain, “here.”

    “Is that so? Name them.”

    “Cosmic order, for one.”

    “Now it is my turn to say pah, Zal. What is that but a name for some idea you have squirreled away in that many-chambered skull of yours?”

    “So he grasps the tool of language at last! Yet as a novice, holding it not at the grip but at the sharpened edge. Just so. Do be careful, boy, wouldn’t want you to cut yourself. More for me to clean up. Gah!” He yells that last exclamation, throwing up his hand at some unidentified annoyance.

    “There really is no reasoning with you, is there?”

    “To use a tired, so tired an analogy (the tool is moving now at the hand of one properly grasping, try to keep up) as the ant sees no reason in the speech of man, so you fail to detect reason of a higher order. The least you could do… actually, come to think of it, the most you could do, for which you are still held responsible, is to have some humility about it. Now, do come in. As much as I delight in the branching optimistic upward striving of your local flora, our ends require a more purposeful setting.”

    The creature, the wizard, hovered minutely off the ground, and with the wave of a hand, opened a door from nowhere. It was an arch in the air, extending to the ground, and set with glyphs streaming down its face like a string of beads. Though he didn’t like to admit it, Jun felt better when the wizard was near. Safer. He always found himself a bit tantalized by the itinerant creature. While he seemed to be quite capable of appearing whenever and wherever he wanted, and always seemed to have circumstances well at hand, there were needs which drove him to disappear for indefinite lengths of time. Jun found himself awaiting another appearance each time, believing for some reason that it would happen soon, though it never did, not until he was as good as forgotten. What compelled him to leave, this being that for all he knew could be all places, all times, all at once. What enticed him to return? Jun never knew, and this bothered him like food insecurity, like termites in the center beam, like a backache that is spontaneously relieved by an unknown cause only to resurface by an equally unknown cause.

    “Coming?”

    Zal’s hand led inward. He waited patiently outside the door, though there was something nervous, something urgent about him that couldn’t quite be placed. Jun walked in.

    A window to a stormy vista of wind-blown tress. My God, what a window, like something sharp and Gothic, but wrought by that very spirit which the goths were eager to induce: awe not lacking fear, horror not lacking beauty. It stood elevated behind a bannister and some curving stairs. On either side, shelves. Books bound by hefty spines, curved and straight. These lay, some open to pages of unrecognizable languages and diagrams of foreign geometries, amidst arcane instruments begging to be inspected. The entryway, now portalless, was wall-papered. Small tables featuring porcelain and obsidian busts sat in relief against many-patterned, many-lined walls. The rug was complicated.

    The space was ornate and fascinating to be sure, but opulence was not quite the mode. Purpose. It was a place of purpose.

    Jun eyed the walls and dimly-lit corners, seeing no doors. “Nice place you have here. Is it just the one room?”

    “Oh, it’s not mine, really. Just borrowing it from a friend.”

    The rain splattered in great sheaves against the window panels, making muted smacks as clouds began to roll and churn overhead.

    “Wind’s picking up.”

  • The Visitor

    The Nightmare (1781) by Henry Fuseli

    You know that feeling you get when you start to get old and realize that those things you assumed you would get around to doing are never actually going to happen?


    Ancil awoke once more in the dark room.

    “Ok, so why? Are we restoring our relationship? Who are you? Are you the same one?”

    The reply came out of the dark. “The same one as..?”

    The asker realized he was afraid to say what he meant. Very afraid. He tried a different approach. “Are you… the same as me?”

    “In some ways. We share similar beliefs. Appetites.”

    “That’s… that’s not what I mean.” It was quiet.

    “What do you mean?”

    “Are you the same type of thing as me? Are you, I don’t know, human?”

    “What would it mean if I were?”

    “It would mean… It would mean perhaps I could understand. It would mean I know to some extent where this is going, and where it is not.”

    “Where would you like ‘it’ to go?”

    “The truth?” It was quiet again, for a long time.

    “Yes.”

    “Well, for one, I think I deserve some credit for not getting caught up in questions that can’t be answered.”

    “Yes.”

    “And for another, I feel like there should be more.”

    “Yes.”

    “But most of all… I just don’t want to forget anymore. I don’t want to…”

    “Have the wool pulled over your eyes?”

    “That’s it! I want to… I want to…”

    “See. You want to see. You want to have your eyes opened. Well, I can’t do that for you. Neither can wanting it, wanting it ‘sooo bad‘,” the thing intoned mockingly. “Wanting, wanting, you creatures — ha! — always wanting, thinking it some sort of virtue. You are going to lose it if you do not hurry. You must be quick as well as endure. But you can’t. I know because you must have done so already, and you have not. For that reason, I leave you as you mark these, my words to you, the last you will ever hear: you will never find that which you seek. It is over for you. You must have earned it already. It is too late. Too late.”

    The way was shut. The light came on, and all he could see was a room. A plain room. The room where it all began.

  • The Golden Leaf

    Birch Forest, Gustav Klimt, 1903 Klimt, Gustav. Birch Forest [oil, canvas]. 1903. Belvedere, Vienna, Austria

    “Stupid to think you could gain without cost,” the Inquisitor said, arms folded tightly behind his back. His stiff white uniform was almost as priestly as it was militaristic, though in truth, he was neither. He was, as designed, an enigma. Set apart to uphold the spirit of that which created him. He answered to none but his Order, and they granted one another a great deal of laterality. The radiation therapy of societal order. High degree of collateral damage, high degree of effect.

    “I thought no such thing.” The voice belonged to a young man.

    “Hmm?” He intoned, circling to his evidence locker. He had pulled it from a thumbtack-sized rod stuck in the meat of his palm. It grew and grew until it was a metallic box, thick walls like a safe, squatting densely on a protesting table. Not the only dense thing in the room, Jun thought.

    From the box, after entering an obscenely long passcode and enduring more retinal probing than could possibly be healthy, the Inquisitor pulled a golden leaf, pinnately lobed, serrated edges. “Then what do you call this?”

    “A leaf, sir.”

    “Ah, but it’s not a leaf, is it?” He strolled around the back of the evidence-bearing table.

    “Yes, it is.”

    “And far more. Far more. No?” He eyed the boy suspiciously, knowingly.

    “Well, if you want the truth, it’s a friend.”

    “A friend? Ha!”

    “Yes, a friend.” Jun was not joking. “It’s always been there for me. Never let me down, really.”

    “What kind of man,” began the inquisitor, turning to an invisible jury, “calls a leaf friend?”

    “A compassionate one, I’d hazard.”

    “Ah, compassion! Yes, compassion. And tell me, is it compassion that compels one to harbor a weapon of mass destruction?” Gasps from the unseen jury caused Jun to jump in his seat.

    “You’re kidding.”

    “Would that I were, young man. Don’t be coy with me. Or —” he trailed off, investigating the blank expression on Jun’s face, “do you really not know? What your friend here is capable of?”

    Silence.

    “Very well, I shall show you. Observe.” Producing a glass of water, he held it under the leaf, which he pinched between gloved thumb and forefinger. Delicately, slowly, he lowered it into the water, the tiniest sliver of it, and pulled it back out. His face, triumphant, glared at Jun, who was confused, seeing that nothing had happened. Then, the Inquisitor held the dangling golden leaf six inches in front of his face and, ever so slightly, blew on it.

    Fine specks of gold dust trailed outward, floating aimlessly for a moment before flying quickly, as though pulled by a magnet, straight into Jun’s eyes. Reflexively, he closed them, and the little motes crept around the corners, finding purchase as they dissolved in his tears. He opened his eyes, and he felt shame. He looked at the inquisitor, and he knew instantly this man, this absurd man, was infinitely his better.

    “Now,” the man’s voice deepened as the grin trickled, then flooded onto his face, “tell me again. What is this?”